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A dusty, dreamy Hawaii rife with sexual frustration, loneliness and adolescent heartbreak is the setting for the nine stories of Hemmings's bold debut collection. Misery adores company in "Final Girl," in which a single mother discovers a pornographic magazine in her 13-year-old son's room and turns on him despite herself, wishing he had more of "that character-developing sadness. Instead, he's a child who sings in the car." In the title story, intrepid preteen Kora is anxious to fit into her clique of Lolitaesque teenage friends—island girls "doing bad things in pretty places"—and is frightened of losing her best friend, Wendy, when Wendy's delinquent brother, Perry, resurfaces. In "Begin with an Outline," a girl is haunted by her imprisoned father, a notorious drug dealer; in "Island Cowboys," embittered, indebted Pete covets his brother's easy prosperity and finds forbidden solace in his niece. A 16-year-old boy pines for his social-climbing nanny in "Secret Clutch," only to discover that she has taken up with his wealthy father; a teenage girl and her father's mistress develop a disturbing bond in "Location Scouts." At times Hemmings steers her troubled protagonists in predictable directions, but overall these are fresh, acerbic tales, offering a distinctive perspective on everyday life in a vacation paradise. Agent, Witherspoon Associates. (June 20)
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Just as the individual land masses that make up the Hawaiian Islands are worlds unto themselves, so, too, are the characters Hemmings depicts in this penetrating exploration of the nature of families and the individuals who belong to them. Disappointment and isolation, frustration and regret inform each story's conflict, whether it is a father unprepared to raise his 10-year-old daughter while her mother lies in a coma, as in "The Minor Wars," or a pack of teenage girls flirting with independence in "House of Thieves." Hemmings takes her characters' cues from the composition of the islands she knows so well, their volcanic cores smoldering just beneath the surface, either forced to lie dormant or prone to violent outbursts. Set against the tropical backdrop of sun, sand, and surf, Hemmings' stories are all the more surreal for their perceptive juxtaposition of tumultuous emotions within such a seemingly benign paradise. With a dynamic and imaginative voice, Hemmings infuses her stories with keen insight, and lavishes her characters with profound empathy. Carol Haggas
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